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Excerpt "In the midst of this triangle of gluttony, three small, well-crafted ink on paper works from Cara Ober’s Tchotchkes Series combine black and white still life paintings of knick-knacks with clean cursive text on a stark background and speak of a more subtle indulgence. The works ironically address décor produced for the consumption and delight of every day people through the medium of high art which is typically aimed toward more elite and highbrow consumers."

Read the whole review here.

Review by J. Stokes-Casey in Number: Eighty, an Independent Arts Journal
Review of Bawlmer at Crosstown Arts in Memphis, TE
2014