Baynard Woods at the Baltimore City Paper reviewed the Sondheim Semifinalists, in "Profusion, Not Confusion" on July 23, 2014 and mentioned my "lush, oxidized, and deeply layered reflections on decoration" here
Michael O'Sullivan of The Washington Post Reviewed a June, 2014 group exhibit, Words and Letters:
A group exhibition at the Athenaeum puts its own spin on philosopher Marshall McLuhans mantra The medium is the message. For the 12 artists in Words and Letters each of whom uses language, or in some cases merely jumbled letters the role of the written symbol varies widely. A few works contain snatches of actual poetry and are meant to be read. For many others, the building blocks of language have been put into a blender and spread around like paint.
Cara Ober also uses what might be called poetry, but of a very different kind. Along with representational imagery (a girl wearing bangs, for instance) and other abstract design elements, the Baltimore painter liberally sprinkles her canvases with fragments of found, almost Dadaistic text. Printed dictionary definitions float alongside scraps of handwriting i fold you into the silence of myself creating a stew of seemingly random, collagelike signifiers, none of which submits to easy interpretation.
Read the whole review here
I have been selected as a Sondheim Semi-Finalist for 2014! This is Artscape's annual $25,000 Prize ! You can see my work in MICA's Meyerhoff Gallery during Artscape.
Mera Rubell visited my studio! She described my work as "Jeff Koons with a heart" and selected two of my new Tchotchke drawings for an exhibit in January, 2014 at Marianne Boesky Gallery
in New York and for Select: 2014
, the Washington Project for the Arts Auction on March 22, 2014.
Read about Mera Rubell's visit to 36 Baltimore Studios on Bmoreart
October, 2013 Exhibit: Translation: New Works by Cara Ober at McDaniel College's Rice Gallery
. The exhibit ended Nov. 15, 2013.
Press: Carroll County Times Ober's Exhibit Translates Decoration into Art