Published Writing

Select Articles and Essays:

BmoreArt and Baltimore Banner: Five Museum Exhibits to See this October, 2024

BmoreArt: Turning the US Senate Chartreuse, Angela Alsobrooks for MD, October, 2024

BmoreArt: Washington Post Cancels Regional Arts Column Effective Immediately, August, 2024

Baltimore Banner: Nine Art Gallery Shows to Explore in Baltimore this April, 2024

Baltimore Banner: Seven Baltimore-based Artists On the Rise–and on Display Across the Nation, March, 2024

Baltimore Banner: 10 Soul-Warming Art Exhibitions to See In February, 2024

BmoreArt: Unreliable Narrators: An Evening with Ann Patchett and R. Eric Thomas, December 2023

BmoreArt: Opinion Editorial: AVAM’s Misstep in Dismissing Jenenne Whitfield, November 2023

BmoreArt: Radically Simple, Unmistakably Betty Cooke at The Walters, December 2021

BmoreArt: Maryland State Arts Council Shifts Grants to Address Equity, Bringing Cuts to Largest Organizations, September 2021

BmoreArt: Rebellion, Relevance, Texas, and Lisa Yuskavage, September 2021

BmoreArt: A Cure for Toxic Museum Culture: Laura Raicovich’s New Book, Culture Strike, August 2021

BmoreArt: Let’s Get It On: A Brood X Cicada Photo Essay, June 2021

Bmoreart: Fever Dream: Symptoms but no Covid-19 Tests or results, 2020

BMOREART: Only Women: 27 Women in the Arts on the BMA’s Recent Collecting Announcement

bmoreart: Falling in love with art is like falling in love

BmoreArt: Location, Location, Location: The Problem of Site Specificity and Mark Bradford at the Baltimore Museum of Art

BmoreArt: Artspeak and Audience: Art Writing as Bridge or Barrier

BmoreArt: Anarchy at 72: John Waters’ Indecent Exposure

Hyperallergic: Revisiting Carolee Schneemann’s Candor and Intellect in a Previously Unpublished Interview

hyperallergic: Jack Whitten’s Secret self

NY Magazine/ Vulture: John Waters is the Godfather of the Baltimore Art Scene

Hyperallergic: Artists and Curators Weigh In on Baltimore Museum’s Move to Deaccession Works by White Men to Diversify Its Collection